{"id":841,"date":"2014-11-28T18:35:00","date_gmt":"2014-11-28T18:35:00","guid":{"rendered":"http:\/\/localhost:8888\/povojournal\/?p=841"},"modified":"2014-11-28T18:35:00","modified_gmt":"2014-11-28T18:35:00","slug":"the-dreary-the-draconian-the-dues","status":"publish","type":"post","link":"http:\/\/povo.africa\/journal\/the-dreary-the-draconian-the-dues\/","title":{"rendered":"The Dreary, the Draconian &#038; the Dues"},"content":{"rendered":"\n<p>A lot of the time I find I am asking myself, \u2018Why the hell am I even trying this?\u2019. Before I even answer that question, I find myself hard at it and when I come to my senses again, I will be back to asking myself the same question. This cycle has continued for all of my artistic life. It started off as some form of amusement in the mid-nineties when my friend Bobby and I were guys about town, loving everything about the possibilities that a career in the arts seemed to promise \u2013 quite a dreamy future of a stylish house in the hills laden with exotic and wrought iron furniture, and a beautiful lass to share it with \u2013 a lass lavishly attended to by obedient domestic servants and children in private school. All these dreams and possibilities were pushed by the assumption that art, being intellectual paid well.<\/p>\n\n\n\n<p>Soon we outgrew the teen years and confronted the early adulthood comforting ourselves that ours were just eventualities delayed. Soon enough life took its course and reality sank in with the most depressing weight. We had to pick ourselves, get out of denial and face the truth; unless you\u2019re in making fake pop music, you were bound to struggle in the arts and guaranteed that you couldn\u2019t make a living. So, because we wanted to make a living \u2013 albeit anyhow now \u2013 we ventured into the real world. We began to see that unless you were in a certain bracket of people, some of whom didn\u2019t bother to be very honest in their choices, you are never going to get that house on a hill, and certainly the accompanying lass wouldn\u2019t get out of our dreams and walk into our lives. Today my friend is exiled and barely making a decent life \u2013 he is happy, which makes me happy that life is looking up. I, on the other hand stayed and decided to fight it from within and maybe turn a few perceptions around. What wishful thinking \u2013 from a struggling actor to a wanna-be-singer and brilliant writer I have landed a gig as Art Consultant with insurmountable hurdles to clear.&nbsp;&nbsp;<\/p>\n\n\n\n<p>It has suddenly dawned on me that for my struggles and for all of Bobby\u2019s living in foreign hostility \u2013 our fate was never meant to be. It has been designed by a bully system that has ensured the suffocation of the arts. We were so busy plotting our success and conquering the world that we didn\u2019t realize there would be something called censorship which would curtail what angle our work took, and if someone thought it was wrong \u2013 we would have our work banned. We were oblivious to the National Arts Council of Zimbabwe which says artists and art bodies must apply to it to host any show. We didn\u2019t know the NACZ would want to see our contracts with artists we want to engage and want to see our budgets so that they can charge us an \u2018administrative\u2019 fee, we just thought we would dream up our work and produce it and sell it to a starry-eyed public who would consume it to no end, earning us a lavish living.<\/p>\n\n\n\n<p>Today I sit in my office about to start the process of engaging the NACZ on the issue of the festival that I am now running. I have foreign productions coming in, lots of them \u2013 to mix and mingle and cross-culture with the local to forge synergies and networks to result in universally appealing work for global consumption. One is tempted to think they are doing their fair share to make positive this badly damaged country\u2019s reputation. Art has that magical ability to make any bad lighted country attractive \u2013 well art and sport. Brazil is famous for its carnival (art) and soccer (sport) and hence everyone even boasts of cleanliness being \u2018going Brazil\u2019.<\/p>\n\n\n\n<p>So, I stare at this impressive looking program I have come up with on paper, take a sigh and prepare to face the National Arts Council who will throw me to the Zimbabwe Revenue Authority who will toss me back to NACZ. Then, the Censorship Board and then Immigration department and then pay lots and lots of official money and then maybe \u2013 if I have all the Police Clearances (from the artist\u2019s countries) of the artists I intend to host, then maybe, all will be well. Then again, one can be forgiven for being pessimistic if the might of South Afrika and their Freshly Ground were netted at Harare Airport and only sniffed at the air of festivities at Harare Garden\u2019s HIFA \u2013 or better still the appropriate and children-only Mozambique dominated Umoja Flying Carpet entourage of 40 plus were shown the back hand waved quickly and furiously away -who am I and my little film empire to think I am above this?<\/p>\n\n\n\n<p>I don\u2019t know if it is a fair feeling to want to be fine because I am an artist. I pay all the applicable taxes to my industry and to the greater generality of the nonworking as well as the working masses. I also live by the law blindly \u2013 or maybe I should open my eyes. What\u2019s there to see instead of sad and depressing situations in a society that I am supposed to mirror? Piracy of my work going unchecked and nothing to protect my intellectual property &#8211; that\u2019s what I am closing my eyes to.<\/p>\n\n\n\n<p>Well, in my sombre moment I ask myself again, \u2018Why the hell am I even trying this?\u2019 and before I can answer, the ticking clock reminds me that I cannot afford to waste any minute as anything in dealing with the red tape of the arts takes weeks and weeks to achieve \u2013 I of all people should know that the only time I should stop is when the s**t hits the fan again and I am asking myself THAT question again.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A lot of the time I find I am asking myself, \u2018Why the hell am I even trying this?\u2019. Before I even answer that question, I find myself hard at it and when I come to my senses again, I will be back to asking myself the same question. This cycle has continued for all [&hellip;]<\/p>\n","protected":false},"author":162,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[32],"tags":[],"class_list":{"0":"post-841","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-society"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v19.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>The Dreary, the Draconian &amp; the Dues - The POVO Journal<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/povo.africa\/journal\/the-dreary-the-draconian-the-dues\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Dreary, the Draconian &amp; the Dues - The POVO Journal\" \/>\n<meta property=\"og:description\" content=\"A lot of the time I find I am asking myself, \u2018Why the hell am I even trying this?\u2019. Before I even answer that question, I find myself hard at it and when I come to my senses again, I will be back to asking myself the same question. This cycle has continued for all [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"http:\/\/povo.africa\/journal\/the-dreary-the-draconian-the-dues\/\" \/>\n<meta property=\"og:site_name\" content=\"The POVO Journal\" \/>\n<meta property=\"article:published_time\" content=\"2014-11-28T18:35:00+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@https:\/\/twitter.com\/EltonMjanana\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Elton Mjanana\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/povo.africa\/journal\/#website\",\"url\":\"https:\/\/povo.africa\/journal\/\",\"name\":\"The POVO Journal\",\"description\":\"And The People Spoke\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/povo.africa\/journal\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"http:\/\/povo.africa\/journal\/the-dreary-the-draconian-the-dues\/#webpage\",\"url\":\"http:\/\/povo.africa\/journal\/the-dreary-the-draconian-the-dues\/\",\"name\":\"The Dreary, the Draconian & the Dues - The POVO Journal\",\"isPartOf\":{\"@id\":\"https:\/\/povo.africa\/journal\/#website\"},\"datePublished\":\"2014-11-28T18:35:00+00:00\",\"dateModified\":\"2014-11-28T18:35:00+00:00\",\"author\":{\"@id\":\"https:\/\/povo.africa\/journal\/#\/schema\/person\/210c1f7c87dea6b025db125b6b6acead\"},\"breadcrumb\":{\"@id\":\"http:\/\/povo.africa\/journal\/the-dreary-the-draconian-the-dues\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"http:\/\/povo.africa\/journal\/the-dreary-the-draconian-the-dues\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"http:\/\/povo.africa\/journal\/the-dreary-the-draconian-the-dues\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/povo.africa\/journal\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"The Dreary, the Draconian &#038; the Dues\"}]},{\"@type\":\"Person\",\"@id\":\"https:\/\/povo.africa\/journal\/#\/schema\/person\/210c1f7c87dea6b025db125b6b6acead\",\"name\":\"Elton Mjanana\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/povo.africa\/journal\/#\/schema\/person\/image\/\",\"url\":\"http:\/\/povo.africa\/journal\/wp-content\/uploads\/2022\/06\/porty_Elton-150x150.jpg\",\"contentUrl\":\"http:\/\/povo.africa\/journal\/wp-content\/uploads\/2022\/06\/porty_Elton-150x150.jpg\",\"caption\":\"Elton Mjanana\"},\"description\":\"Elton Mjanana is a writer and producer for TV, theatre and Film also with considerable experience writing radio drama since 2001. Farai started off in the arts as an actor way back in 1995 in films such as \u2018Flame\u2019 (1996, Ingrid Sinclair). In 1999 he wrote his first ever play in a trio of writers featuring other notables like Andrew Whaley and Dylan Wilson-Max. The play was \u2018Ivhu vs. the State (1999, Rooftop Promotions) which toured extensively around Zimbabwe and ended up at the Fringe of the Edinburgh Festival in Scotland. Farai worked as 1st AD for numerous short films under the Short Film Project of the Zimbabwe International Film and Festical Trust, an organisation whose Film Festival, the Zimbabwe International Film Festival (ZIFF) he went on to curate for 4 years between 2013 - 2016. For TV, his credits include The Team (2012, Rumbi Katedza\/Search For Conmon Ground) a 13 part series he co-wrote with 2 other writers. Farai now lives full time in the UK and has attained a Cetificate with the National Film and Televsion School (NFTS) for the TV Series Bible Creation Course tutored by Peter Ansorge.\",\"sameAs\":[\"https:\/\/www.instagram.com\/mjanana.farai_elton\/\",\"https:\/\/twitter.com\/https:\/\/twitter.com\/EltonMjanana\"],\"url\":\"http:\/\/povo.africa\/journal\/author\/elton-mjanana\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"The Dreary, the Draconian & the Dues - The POVO Journal","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"http:\/\/povo.africa\/journal\/the-dreary-the-draconian-the-dues\/","og_locale":"en_US","og_type":"article","og_title":"The Dreary, the Draconian & the Dues - The POVO Journal","og_description":"A lot of the time I find I am asking myself, \u2018Why the hell am I even trying this?\u2019. Before I even answer that question, I find myself hard at it and when I come to my senses again, I will be back to asking myself the same question. This cycle has continued for all [&hellip;]","og_url":"http:\/\/povo.africa\/journal\/the-dreary-the-draconian-the-dues\/","og_site_name":"The POVO Journal","article_published_time":"2014-11-28T18:35:00+00:00","twitter_card":"summary_large_image","twitter_creator":"@https:\/\/twitter.com\/EltonMjanana","twitter_misc":{"Written by":"Elton Mjanana","Est. reading time":"5 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebSite","@id":"https:\/\/povo.africa\/journal\/#website","url":"https:\/\/povo.africa\/journal\/","name":"The POVO Journal","description":"And The People Spoke","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/povo.africa\/journal\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"en-US"},{"@type":"WebPage","@id":"http:\/\/povo.africa\/journal\/the-dreary-the-draconian-the-dues\/#webpage","url":"http:\/\/povo.africa\/journal\/the-dreary-the-draconian-the-dues\/","name":"The Dreary, the Draconian & the Dues - The POVO Journal","isPartOf":{"@id":"https:\/\/povo.africa\/journal\/#website"},"datePublished":"2014-11-28T18:35:00+00:00","dateModified":"2014-11-28T18:35:00+00:00","author":{"@id":"https:\/\/povo.africa\/journal\/#\/schema\/person\/210c1f7c87dea6b025db125b6b6acead"},"breadcrumb":{"@id":"http:\/\/povo.africa\/journal\/the-dreary-the-draconian-the-dues\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["http:\/\/povo.africa\/journal\/the-dreary-the-draconian-the-dues\/"]}]},{"@type":"BreadcrumbList","@id":"http:\/\/povo.africa\/journal\/the-dreary-the-draconian-the-dues\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/povo.africa\/journal\/"},{"@type":"ListItem","position":2,"name":"The Dreary, the Draconian &#038; the Dues"}]},{"@type":"Person","@id":"https:\/\/povo.africa\/journal\/#\/schema\/person\/210c1f7c87dea6b025db125b6b6acead","name":"Elton Mjanana","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/povo.africa\/journal\/#\/schema\/person\/image\/","url":"http:\/\/povo.africa\/journal\/wp-content\/uploads\/2022\/06\/porty_Elton-150x150.jpg","contentUrl":"http:\/\/povo.africa\/journal\/wp-content\/uploads\/2022\/06\/porty_Elton-150x150.jpg","caption":"Elton Mjanana"},"description":"Elton Mjanana is a writer and producer for TV, theatre and Film also with considerable experience writing radio drama since 2001. Farai started off in the arts as an actor way back in 1995 in films such as \u2018Flame\u2019 (1996, Ingrid Sinclair). In 1999 he wrote his first ever play in a trio of writers featuring other notables like Andrew Whaley and Dylan Wilson-Max. The play was \u2018Ivhu vs. the State (1999, Rooftop Promotions) which toured extensively around Zimbabwe and ended up at the Fringe of the Edinburgh Festival in Scotland. Farai worked as 1st AD for numerous short films under the Short Film Project of the Zimbabwe International Film and Festical Trust, an organisation whose Film Festival, the Zimbabwe International Film Festival (ZIFF) he went on to curate for 4 years between 2013 - 2016. For TV, his credits include The Team (2012, Rumbi Katedza\/Search For Conmon Ground) a 13 part series he co-wrote with 2 other writers. Farai now lives full time in the UK and has attained a Cetificate with the National Film and Televsion School (NFTS) for the TV Series Bible Creation Course tutored by Peter Ansorge.","sameAs":["https:\/\/www.instagram.com\/mjanana.farai_elton\/","https:\/\/twitter.com\/https:\/\/twitter.com\/EltonMjanana"],"url":"http:\/\/povo.africa\/journal\/author\/elton-mjanana\/"}]}},"_links":{"self":[{"href":"http:\/\/povo.africa\/journal\/wp-json\/wp\/v2\/posts\/841","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/povo.africa\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/povo.africa\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/povo.africa\/journal\/wp-json\/wp\/v2\/users\/162"}],"replies":[{"embeddable":true,"href":"http:\/\/povo.africa\/journal\/wp-json\/wp\/v2\/comments?post=841"}],"version-history":[{"count":0,"href":"http:\/\/povo.africa\/journal\/wp-json\/wp\/v2\/posts\/841\/revisions"}],"wp:attachment":[{"href":"http:\/\/povo.africa\/journal\/wp-json\/wp\/v2\/media?parent=841"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/povo.africa\/journal\/wp-json\/wp\/v2\/categories?post=841"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/povo.africa\/journal\/wp-json\/wp\/v2\/tags?post=841"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}