1.0The POVO Journalhttps://povo.africa/journalDr Tony Mondahttps://povo.africa/journal/author/dr-tony-monda/rich600338<blockquote class="wp-embedded-content" data-secret="pRT4S9KAOT"><a href="https://povo.africa/journal/transforming-the-colonial-legacy-through-art/">Transforming The Colonial Legacy Through Art</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://povo.africa/journal/transforming-the-colonial-legacy-through-art/embed/#?secret=pRT4S9KAOT" width="600" height="338" title="“Transforming The Colonial Legacy Through Art” — The POVO Journal" data-secret="pRT4S9KAOT" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /* <![CDATA[ */ /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://povo.africa/journal/wp-includes/js/wp-embed.min.js /* ]]> */ </script> The following article is intended to raise awareness of the socio-cultural dynamics of african art on the international art circuits, in order for zimbabwean visual art practitioners to understand and define their own space as arts writers, scholars, visual artists, curators and art critics, in relation to world art practice, discourse and world art biennales. […]